Review of behind every young girl’s arse… written by Sophia Foster-Dimino from the Notable Comics of 2013 post on the Comics & Cola blog:
“Cathy G. Johnson is a cartoonist living and working in Providence, RI – where I went to college (we bonded over PVD at a con once) – and I think the first comic of hers I read was “Her Name Was Prudence,” a story about relationships, literature, sex, communication… beautifully rendered in graphite. I’m generally a big fan of comics done in pencil, especially if they sort of mimic vision in motion by blurring out peripheral details, and hint at process by showing semi-erased leftovers.
I’ve read many many pages of comics this year but Cathy’s black-and-white 9-pager behind every young girl’s arse… has really stuck with me, and I’ve thought about it regularly since I first read it. Her rough pencils perfectly evoke a pitch-black night, with a fire throwing thick shadows over contorted forms. The story is brief but it hits like a heavy hammer – full of monumental desperation and rage. Even little meta-details – like shadows of other pages showing through the paper – or a format-breaking list of potential “reactions” that could easily be Cathy’s own, in her sketchbook – drive home the raw weight of this narrative. The story is bookended by two contrasting images of a naked woman, and since I have reread this story countless times in the past few months, I have compared those images again and again. My experience of this comic is cyclical. It feels like a colossal turning wheel.
behind every young girl’s arse… is published in tandem with the also excellent Until It Runs Clear in a single zine, for sale online. Her incredible watercolor webcomic Jeremiah was also collected and published this year.”
Quote by Nina Power, from She’s just not that into you:
“What, ultimately, would it mean to let the Young-Girl speak for herself and not through the categories imposed upon her by a culture that heralds her as the metaphysical apex of civilization while simultaneously denigrating her, or even the categories that Tiqqun mobilize to take her apart in a subtly different way? Behind every Young-Girl’s arse hides a bunch of rich white men: the task is surely not, then, to destroy the Young-Girl, but to destroy the system that makes her, and makes her so unhappy, whoever ‘she’ is.”